17 - Nobukazu: Love Of Fireflies

Nobukazu: Love Of Fireflies - 1896

Watanabe Nobukazu (1872?-1944), a student of Yōshū Chikanobu, made pictures ranging from traditional ukiyo-e, such as bijinga, to pictures of Tokyo on the verge of modernisation, or war scenes from the wars with China or Russia. He is one of the very last ukiyo-e artists.

This is a bijinga by Nobukazu: “Love Of Fireflies” from 1896.  It is not a woodblock print but a lithograph.

16 - Kunihiro: Actor Onoe Tamizo as Tenjiku Tokubei Performing Toad Magic

Kunihiro: Actor Onoe Tamizo as Tenjiku Tokubei Performing Toad Magic - 1832

This is "Actor Onoe Tamizo as Tenjiku Tokubei Performing Toad Magic", a woodblock print by Utagawa Kunihiro. It is a yakusha-e from the kabuki play "Otonikiku ikoku no irifune". The print is from 1832.

Utagawa Kunihiro was active 1815-1841/1843, and belonged to the Osaka school.

15 - Gekkō: The Plum Blossoms of Kameido

Gekkō: The Plum Blossoms of Kameido
From the Series Famous Views of Flowers and Beautiful Women
1895

This is a triptych - three prints put together to create one larger picture - "The Plum Blossoms of Kameido" by Ogata Gekkō (1859-1920). The picture is from the series "Famous Views of Flowers and Beautiful Women", 1895.

Ogata Gekkō understood himself as part of the tradition of ukiyo-e, but he was very versatile and also experimented with techniques and styles not normally included in that tradition - for example lithography. He is widely underestimated, but I perceive him as one of the greatest Japanese artists of his generation.

14 - Chikanobu: Tour by boat - Okawa-river

Chikanobu: Tour by boat - Okawa-river

Toyohara Chikanobu (1838–1912), sometimes called Yōshū Chikanobu, had a number of illustrious teachers. First Keisai Eisen, and later Kuniyoshi and Kunisada.

"Tour by boat, Okawa River", a woodblock print from 1897, is sometimes seen with other titles: "Nobleman Boatings" or "Tokugawa Shogun at Okawasuji". This triptych is taken from the series Official Ceremonies at Chiyoda Palace.

The print is from the Meiji period and belongs to the informational prints which were so typical for that period. Many depictions of war or officialdom served as newspaper illustrations and were made for educational rather than artistic purposes. Photography gradually came to replace them.

13 - Sharaku: Actor Nakayama Tomisaburô, also called Ômiya Kinsha, as Ohisa

Sharaku: Actor Nakayama Tomisaburô, also called Ômiya Kinsha, as Ohide

This is a masterwork by one of the most eccentric artists of ukiyo-e, Tōshūsai Sharaku. Nobody knows who he was, and his career spanned only 10 months in 1794 and 1795. During that short period of time he presented about 150 prints in a unique style, almost exclusively yakusha-e, portraits of kabuki actors. His works are almost ugly, but the strength and powerful expression, and the characterisation of actor and role, reveals true genius.

"Actor Nakayama Tomisaburô, also called Ômiya Kinsha, as Ohisa", is a print from 1794. This is a man playing a woman, which is clearly visible from the facial features. The face is male. Women were forbidden to play in kabuki so all female roles were played by male actors. Such an actor, playing women, was called an Onnagata.

12 - Hiroshige II: Iwatake gathering at Kumano in Kishu

Hiroshige II: Iwatake gathering at Kumano in Kishu - approx. 1860

Iwatake is a delicacy in Japan. Its name in Latin is Umbilicaria esculenta. In East Asia it is used as food, and in Traditional Chinese Medicine, TCM, as a medicine. Called iwatake in Japan, it is called shi'er in China, and seogi in Korea. Iwatake means "rock mushroom".

To harvest it, collectors are lowered down a cliff, preferably in wet weather. This is very dangerous. There is a saying in Japan: "Never give lodging to an iwatake collector, he doesn't always survive to pay the rent." Otherwise the iwatake has a reputation of providing longevity.

This woodblock print by Utagawa Hiroshige II (1826-1868), a student of the great Hiroshige, shows iwatake collectors in action. Its title is "Kishū kumano iwatake tori (Iwatake gathering at Kumano in Kishu)", and it dates around 1860.

11 - Keisei: Benzaiten Seated on a White Dragon

Keisei: Benzaiten Seated on a White Dragon - 1832-1833

Aoigaoka Keisei was active during the 1820s and 1830s. He was Hokkei's student, possibly also Hokusai's, and his prints, mainly surimono and book illustrations, are of a very high technical standard.

This print is named "Benzaiten sitting on a White Dragon". It is also called "The Goddess Benzaiten Appears to Hôjô Tokimasa at Enoshima". But that title is misleading, unless one sees the whole vertical diptych, of which this is the top print. The bottom print is missing here.

Benzaiten is a Japanese Buddhist goddess of everything that flows: water, words, music, time, and knowledge - and she is one of the Seven Gods of Good Fortune. She is also considered a Shinto kami and a protector deity of Japan, and she is associated with dragons. Her origin can be traced back to the Hindu goddess Saraswati.

The musical instrument she holds is a biwa, a traditional Japanese lute.