Saturday, 26 November 2016

39 - Yoshitoshi: Adachigahara hitotsuya no zu - The lonely house on Adachi Moor


Ukiyo-e. Muzan-e. Adachi Moor. Yoshitoshi.
Yoshitoshi: The lonely house on Adachi Moor
1885

This is Adachigahara hitotsuya no zu - The lonely house on Adachi Moor, by Tsukioka Yoshitoshi. It illustrates a folk tale, where a woman on Adachi moor, the hag of Adachigahara, preys on children and pregnant women in order to eat them. The picture shows the moment before the hag kills her captive, a pregnant woman.

This is an example of a subgenre of ukiyo-e which is called muzan-e, or "bloody prints", and displays violence, often murder and torture. Yoshitoshi created the genre and it lived on far beyond ukiyo-e, and influences Japanese art and film still today. It also absorbed erotic motives and came to characterise some branches of Japanese pornography.

The lonely house on Adachi Moor was printed in 1885. The first genuine muzan-e, however, was the series Eimei nijūhasshūku - Twenty-eight famous murders - from 1866-1867, which Yoshitoshi and Yoshiiku created together.