112 - Utamaro: Three Lucky New Year Dreams

Utamaro: Three Lucky New Year Dreams

This is a Benigirai-e by Utamaro from about 1800: Three Lucky New Year Dreams: Fuji, Falcon, Eggplant.

Benigirai-e translates to "picture hating red". It's a style where the artist avoids using red or reddish tones. It was fashionable in the 1780s.

19 - Utamaro: Scops Owl and Bullfinches

Utamaro: Scops Owl and Bullfinches

Momo chidori kyôka awase [One Hundred Birds in a Competition of Humorous Poetry] from about 1790, sometimes considered the epitome of kachô-e, is an album by Kitagawa Utamaro (1753-1806). In my opinion, there are more beautiful examples of kachô-e, but Utamaro's studies of birds are exquisite. 

The album was published by Tsutaya Juzaburo (1748-1797) as one of his anthologies of kyōka, a form of comic verse. His friend Utamaro illustrated several of those anthologies. Momo chidori kyôka awase is the most famous result of their co-operation.

The picture I have chosen from the album is Scops Owl (Mimizuku) and Bullfinches (Uso).

Kachô-e (also called kachô-ga) is a sub-genre of ukiyo-e. Strictly, it is defined as “studies of flowers and birds”, but while many artists limited themselves to flowers and birds, others went beyond that to other plants and animals. In a broader sense we can say that kachô-e is about studies of plants and animals in general.

10 - Utamaro: Three Beauties of the Present Day

Utamaro: Three Beauties of the Present Day - 1793

Kitagawa Utamaro (1753-1806) is one of the most influential ukiyo-e artists, and one of the few who became famous beyond Japan. He is best known for his bijinga, pictures of beautiful girls, one of the major sub-genres of ukiyo-e. 

Utamaro introduced a certain realism of the faces, which had so far been idealised and stereotyped. This print, "Three Beauties of the Present Day" [Tōji San Bijin], from 1793, shows a triangular composition of three girls in the style of okubi-e (large head). Okubi-e had so far been yakusha-e, portraits of kabuki actors, but Utamaro applied it in bijinga.

The heads seem alike, but on a closer look, there are subtle differences which make them individual. In fact, the girls are the geisha Tomimoto Toyohina (top), and the two waitresses Takashima Hisa (left) and Naniwa Kita (right), who figure on many prints by Utamaro and others.

It has sometimes been claimed that this picture was the first (or one of the first) bijinga with girls who were not courtesans. That is not true - it was already started by Harunobu, who sometimes made bijinga with beauties from everyday life.