67 - Sekkyô: White Falcon in a Pine Tree

Sekkyô: White Falcon in a Pine Tree

This is White Falcon in a Pine Tree, by Sawa Sekkyô, who was active in the late 18th and early 19th century. His studies of birds are often, as here, made as aizuri-e, with only blue colour.

66 - Chikanobu: The Battle of Awazugahara

Chikanobu: The Battle of Awazugahara: The warrior woman Tomoe Gozen and Hatakeyama Shigetada

Here we have a triptych from 1883 by Toyohara Chikanobu: The Battle of Awazugahara: The warrior woman Tomoe Gozen and Hatakeyama Shigetada.

The print is an illustration to Heike Monogatari [平家物語] - The Tale of the Heike - which is a recording from the 13th century about the wars between the Taira (Heike) and the Minamoto (Genji) clan.

Tomoe Gozen was a female samurai who became a fighter in order to protect Kiso Yoshinaka, her beloved.

65 - Masanobu: Murasaki Shikibu

Masanobu: Murasaki Shikibu

Okumura Masanobu (1686-1764) was one of the earliest ukiyo-e masters. He experimented with style, motive, perspective, format, and technique. Posterity has not given him the attention he deserves. His works definitely influenced subsequent ukiyo-e.

This print is: Murasaki Shikibu, from the series Ukiyo-e Genji, created about 1710.

Murasaki Shikibu was a lady of nobility. She wrote what is often considered the world's first novel, The Tale of Genji [源氏物語, Genji Monogatari], written sometime between 1000 and 1012 AD.

64 - Gekkō: Carp in the Tone River

Gekkō: Carp in the Tone River

Carp in the Tone River is a print by Ogata Gekkō. It is taken from the series Famous Views and Beautiful Women.

63 - Yoshitsuya: Shuten Dōji's Head Attacking Raiko's Band of Warriors

Yoshitsuya: Shuten Dōji's Head Attacking Raiko's Band of Warriors

Shuten-dōji is a mythical creature, a yokai and an oni leader residing in Ooe-yama (Mount Ooe). He is sometimes considered one of the "great three evil yokai". There are severel different stories about his ancestry, birth and life, but he is inherently evil. The emperor in Kyoto wants him killed and sends the legendary samurai Minamoto "Raiko" Yorimitsu to defeat Shuten-dōji. Raiko gives Shuten-dōji poisoned sake, and when he drinks he falls asleep and his head is cut off. The cut-off head, however, is still alive and tries to bite Raiko, who finally wins with the help of a magical helmet.

This print is Shuten Dōji's Head Attacking Raiko's Band of Warriors, from 1858. The artist is Utagawa Yoshitsuya (1822-1866).

62 - Utamaro II: Benzaiten Playing Lute

Utamaro II: Benzaiten Playing Lute

Kitagawa Utamaro II, (1753?-1831?) first called himself Koikawa Shunsho, but adopted the name Kitagawa Utamaro II when his teacher, the first Utamaro, died. He also married his teacher's widow.

Utamaro II continued to create prints in the style of his predecessor, and even signed them in the same way. Today it is impossible to say with certainty where the first Utamaro ends and the second starts.

I like this little black and white print by Utamaro II, Benzaiten Playing Lute. Colour would just be a distraction from the graceful lines.

The musical instrument is a biwa, a traditional Japanese lute, commonly associated with Benzaiten, the goddess of music.

61 - Toyoharu: Act VII (Shichidanme)

Toyoharu: Act VII (Shichidanme)

Utagawa Toyoharu (1735?-1814) founded the later so successful Utagawa school. Among its many members, were, for instance, Hiroshige, Kunisada and Kuniyoshi.

A print using perspective to create a sense of depth is called uki-e. Toyoharu was the first to apply perspective in nishiki-e (full colour print). Here we see one example of his uki-e: Act VII (Shichidanme), from the series Perspective Pictures of the Storehouse of Loyal Retainers (Uki-e Kanadehon Chûshingura).